Got the edits done.
Sent back to agent.
Two days later … email from agent.
HEY, that cannot be good! I didn’t want to open it. I mean. Have you ever watched courtroom shows? Bad news comes quick.
I checked all my other email, first. I chewed a nail. Maybe five. Clicked on the email, then shut my eyes. Opened one. Then the other. Took a deep breath.
OH. He got the manuscript. In about a month + I will hear back.
WHEW and … oh, piffle. Another wait. It is what it is, and at least it wasn’t: “We hate this! Go away!”
August 19, 2017
I finished Grey Areas the Saga this evening. I have to say, some spectacular writing you won’t want to miss if you like thrillers, romance, comedy, drama. I had all four books (novellas) at once, so I wouldn’t have to stop. I was thrilled to read this work. Superglued to my chair.
If I wasn’t such an old lady, I think I would have finished all four in 2 days. As it was, it took me 3.
Four plots (mixed together) in one book, the characters really well fleshed out — if you are yelling at the characters, you know they are real. Their lives collide in a fast pace, with ‘holy crap’ moments every other page. While it’s complex, with a number of characters, because of their originality, it is not difficult to remember who is whom. Dialogue as natural and unique as havving coffee with your friends .
Funny, how things go from bad to worse to reaaaaallly bad when the main character runs from the law. From cartels to a deranged wrestler, and a please throw that 80 yr old off the bus …
A very engaging book. If you look at one, just purchase all 4 (right now they are $4.99 on Amazon kindle) because it’s well worth it. 4 novellas work out page-wise to 2 novels.
http://bradcarl.com/ – Click for more cool stuff about Brad and his work.
Click here for the Amazon page: https://www.amazon.com/Grey-Areas-Saga-Books-1-4-ebook/dp/B019YTAC5U/ref=sr_1_2?ie=UTF8&qid=1503193554&sr=8-2&keywords=brad+carl
And don’t forget – if you want a reviewer, ARC reader, and/or private consultation, I charge for those of us who are starving artists, $10 for the whole shebang. Especially helpful for those who self-publish, Indie and on a shoestring budget. firstname.lastname@example.org
Well, before I get too far into this post… I yes, am going to edit HTSR again. Taking a break. Gadzooks! Am I sick of that book or what?
BUT. Don’t kill your manuscript (at least, entirely) while those wonderful rejections come in (or nothing at all).
KEEP the research you’ve done on all things too technical to keep in said MS. Why? It may come in handy for that next novel. The one you should be working on while you wait for an answer from agent or publisher.
Besides. It gives you time off to let the manuscript cool until your eyes are fresh.
I keep a copy of each MS I edit… Okay. I am OCD about this. What if? I mean, really. What happens if an agent/PH wants more of *insert whatever you edited out.* It also shows me how bad my writing was to how it has improved. Rejections are not failures, by the way. They are good reminders that our work needs work.
Ask me, I know all about character changes. Well, not all, but a lot more than when I began. Don’t give your MC a flaw then never deal with it, or overcome it. That’s an obstacle he/she must overcome to get the goal. A cop out to let him/her continue in her fear yet conquering the villain(s). In a series, by the end of it, he/she had better deal with this in a HEA sorta way otherwise you disappoint your readers. Leaving readers hanging at the end of book one is also a bit of a cheat. Sometimes.
What if your MC knows everything from Arabic to piloting a helicopter? Is it realistic? Well, look at some of our military. Yes. It is. Or can be. Think: JASON BOURNE. Able to speak a zillion languages, memorize every car license he sees, kill with a pencil, keep weapons secret, as well as big money. Have ten passports . Did we suspend believability?
IT DEPENDS. If said character has never done this, well then, YES. If your character is part of a SEAL team or CIA, maybe not. Even if in a fake shadowy government ‘wet work’ research arm. Jason Bourne had amnesia except how to do previously said ‘everything.’ That now, is a freaky flaw.
Does this mean Jason was perfect? NO. He is emotionally damaged, walking around wondering just who the heck he is, falling in love perhaps for the first time since becoming an assassin… since losing his memory.
(image courtesy Fandom and Wiki)
Can you tell I loved Robert Ludlam?
What about Matthew Knight in Knight and Day? HI-larious, despite less than great reviews. Poor fMC keeps passing out, usually with the help of a knock out drug or Vulcan grip. Her handling of an automatic? TOO FUNNY. Most of us would be more or less in her position. We can relate to her angst. Her flaws. We don’t really see his flaws unless he is 1. presented with real romance and 2. physically in danger. AND fMC changes to overcome scary obstacles to save the man she loves, even if her methods suspend our belief a wee bit.
When you let your manuscript cool a few weeks, look at your characters. They make the script. Then obstacles make it sing for the MC who has to overcome said obstacle(s).
Villains – total cop out if they are too stupid to outwit your MC. Really.
In the Bourne Identity, the end was a HEA. The obstacles overcome (so he thought), he joined the love of his life. The second and third novels brought a new obstacle. Revenge. Repentance. The novels are better than the movies, but since I love Matt Damon’s acting and the rush of the action in film, it’s okay that the Ludlam novels had significant changes.
Let me know if any of this has encouraged you. OR discouraged you. I figure, if your passion is writing, just keep on, no matter how many times you’re rejected.
And, if anyone wants me to read and evaluate the first 50 pages of your manuscript, it’s a ten buck deal. Link to my WordPress here…
and FB page at:
I read a book that reports story is greater than structure. Oh, how I agree with that!
Have a great story? Pitch-perfect structure? Awesome.
Cough. Blink. Cough.
Those rejections hurt, don’t they? Each agent is the Benihana of agents who shuts… you… down. No answer. Publishing houses write you – but not what you wanted to hear. But WHY? you cry. Angry, you stomp off to self-publish. You are a genius! They miss your point, and boy, won’t they be sorry! I’ll hold my breath! I’ll stare at the sun! Wont they be sorry!
A lot depends in what genre you write. But, publishing houses and agents who troll the internet for good work, they look for 1. good writing 2. good characters 3. Likelihood of sales.
Think Fifty Shades of Grey (I keep harping on this book probably because the author walked off with $95 million… Am I jealous? NOOOOOO, not at all). Bad writing. But great kidnapping and BDSM (oh wait, since he’s stinking rich, it’s not kidnapping). Author laughs all the way to the bank.
But, not even story is greater than structure. Characters rule. Write about perfect people. Why did it get rejected? Because no one overcomes a flaw or several within chapter one. Who can relate? And on the opposite side, make that main character so whiny and pathetic throughout, and agents will toss that novel. Why? They aren’t trying to change. They aren’t falling into old habits and climbing out of a rut. Hey, it’s ok to remind agents time to time of the obstacle. Agents and publishers (not to mention readers) need reminding.
Then, fill those plot holes. Make sure you have a really good editor. Share the final draft with a group of readers. Find out if they can relate to your MC. If you get thumbs up, get ready for more rejections.
WHAT?? What is hot today is already past. The publishing world changes faster than a bullet train, and your novel is shredded under it. What can you do? GIVE THE STORY A MESSAGE. Shock ’em with twists not expected. How does your new and improved MC deal with a more horrific obstacle? OVERCOME. Don’t forget that antagonist, are they too vague? Too stupid? Make sure you hate/relate with them.
Take a serious look at your flaws. Those around you. Have you written about those? Well … that, too can hurt. What if someone criticizes you? Develop thick skin. THEN, send that new and improved MS out. After more rejections,, keep working. If your first MS is not accepted, put it aside, work on your craft -and your second novel. Don’t quit. If it’s in you (bitten by that itchy writing bug), make sure you never stop what makes you happy. But don’t be lazy, don’t quit working on those characters. Make ’em loveable.
Don’t hire a vanity press. No one should pay to read your work. When you just HAVE to be published, then self publish. Average sales? $2000 for the work. Forever. A bunch of great writers make the coveted New York Times award. But not necessarily YOU.
So make your characters real. Then, stick them into that cool plot. Make the agents weep. As the Firefly saying goes: ‘Sigh, baby, sigh. Make your mama cry.’
You’ll get there. In the meantime … you get to cry… Keep on writing.
I’m a bit of a curmudgeon when it comes to editing.
<Laughs in near hysteria>
Okay, whatever, you inner thought fool.
I ditched (for the most part) editing for the past two days, since I had to fill a gap into Forget Me Not: Non Compos Mentis. It wasn’t the ‘necessary or the world will fall apart if you don’t’ rewrite’, but since it’s a romance, it ya, kinda did.
Without the rewrite, there would be no decent clash between guy and gal. The male love interest would have no reason to act less decisively, since he’s a decisive kind of guy. Main character would have no ‘who IS this person and why did he…?’ Sure, she has her own issues to battle, but no looming worries over the love interest.
The tension of attraction wouldn’t be strong, because readers liked tension. And I just wasn’t feelin’ the tension.
Hey, we may not like to fight with our spouses in real life, but let the sparks fly in fiction, and –for me, the read is more satisfying.
If you fight with your spouse in anger, I highly recommend praying for each other and seeking counsel. Now. But, not in fiction–they misunderstand each other, argue, feelings get hurt, you know–guy gets girl, guy looses girl, guy gets girl back. Or in this case, girl hires guy (for real work, git your mind outta the gutter!), guy accepts job, girl… okay, that’s enough of that.
I’m a gimme-a-message kinda gal, too. Show me the worst side of the characters, how they overcome the obstacle: a fear, misunderstanding–or a real physical obstacle, and I might just realize how to face my own personal writing-demons-from-the-abyss. Or just the regular Hades abiding creepazoids, trying to fill me with fear and self-doubt.
Please, writer, don’t make your main characters perfect. *Yawn.* What are they physically, emotionally, spiritually struggling with? Is it a struggle I can relate to or empathize with? Think *Wounded Warriors,* men and women who see the worst in death, the heroic in saving the innocent, lose limbs … and the mind-torture of things you can’t un-see.
Well. Dang it. Just thought, I need to fiddle more with my antagonist.
FINE. ‘Time for some thrilling heroics.’ (Image: Firefly)
<slouches, reaching for another cup of Joe>
Going to the manuscript. Again.
<laughter emits from inner thoughts>
Shut up. Twit.